1829-1912  Related Paintings of william r clark :. | i sin dagbok skrev hanno | brittiskt trupplager vid himalayas fot omkring 1840 | 1892 ledde martin conway den forsta stora expeditionen till karakorum | det var med en kamelkaravan som den ovan ur en medeltida persisk bok som anthony fenkinson 1558 forsokte att ta sig fram till det legendomspunna catha | heinrich barth och hans tva europeiska foljeslagare underhandlar med ett band tuareger i sahara 1850 |
Related Artists:
Quincy Tahoma
1921-1956,Native American Navajo painter. He was a Navajo shepherd, who in 1932 went to the Santa Fe Indian School where he learnt to paint in Dorothy Dunn's 'Studio' class and became one of the most significant pupils
Emmanuel de Witte
Dutch 1617-1692 Emmanuel de Witte Gallery Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen).
VERNET, Claude-Joseph
French Painter, 1714-1789 Painter. Vernet probably received his first lessons in painting from his father, Antoine, who then encouraged him to move to the studio of Philippe Sauvan (1697-1792), the leading master in Avignon. Sauvan supplied altarpieces to local churches and decorative works and mythologies for grand houses in the area. After this apprenticeship Vernet worked in Aix-en-Provence with the decorative painter Jacques Viali ( fl 1681- 1745), who also painted landscapes and marine pictures. In 1731 Vernet independently produced a suite of decorative overdoors for the h?tel of the Marquise de Simiane at Aix-en-Provence; at least two of these survive (in situ) and are Vernet's earliest datable landscapes. These are early indications of his favoured type of subject, and Vernet would have studied works attributed to such 17th-century masters as Claude Lorrain, Gaspard Dughet and Salvator Rosa in private collections at Aix and Avignon. Three years later Joseph de Seytres, Marquis de Caumont, who had previously recommended Vernet to the Marquise de Simiane, offered to sponsor a trip to Italy.