Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Alma-Tadema, Sir Lawrence
Laura Alma-Tadema (mk23)

ID: 22932

Alma-Tadema, Sir Lawrence Laura Alma-Tadema (mk23)
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Alma-Tadema, Sir Lawrence Laura Alma-Tadema (mk23)


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Alma-Tadema, Sir Lawrence

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.  Related Paintings of Alma-Tadema, Sir Lawrence :. | Leaving Church in the Fifteenth Century (mk23) | Welcome Footsteps (mk23) | Pastimes in Ancient Egypt 3000 Years Ago (mk23) | A Reading from Homer (mk23) | Self-Portrait (mk23) |
Related Artists:
Isack jouderville
c,1612-before 1648 Dutch painter. His father, who came from Metz, kept a popular inn at Leiden. Isack Jouderville was among Rembrandt's earliest pupils and was apprenticed to the artist from late 1629 until the end of 1631. for the payment of his apprenticeship fees, signed by Rembrandt. During his last year of apprenticeship, Jouderville went to Amsterdam with Rembrandt. In 1632 he enrolled as a student of philosophy at Leiden University; it may well be, however, that he stayed in Amsterdam to assist Rembrandt in his workshop with his numerous portrait commissions. Jouderville himself painted mainly Rembrandtesque heads or 'tronies' and was such a faithful follower of his master's early work that several of his paintings were at one time attributed to Rembrandt. In 1636 Jouderville married Maria Le Fevre and settled in Leiden. Between 1641 and 1643 he lived in Deventer, after which he moved to Amsterdam, where he was last recorded in 1645.
Eugene Giraud
1806-1888
Eric Ravilious
British Painter, ca.1903-1942 English painter, wood-engraver and designer. He was educated at Eastbourne School of Art and then at the Royal College of Art (1922-5), where he was taught by Paul Nash and became close friends with Edward Bawden. His early works included the refectory mural (destr. 1940) in Morley College, London, and wood-engravings in the tradition of Bewick for the Golden Cockerel, Curwen and Nonesuch presses. In the 1930s he began painting larger compositions in a wider range of colour, and this led him to use lithography for such illustrations as those for High Street. Ravilious also produced designs for Wedgwood, including the celebration mug (1936) for the coronation of King Edward VIII, which was withdrawn and revised for the coronations of George VI and Elizabeth II; the Alphabet mug (1937); the Afternoon Tea (1937), Travel (1938) and Garden Implements (1939) china sets; and the Boat Race Day cup (1938). He also designed glass for Stuart Crystal (1934), furniture for Dunbar Hay (1936) and graphic work for advertisements for London Transport and others. Despite his success as a designer, Ravilious concentrated increasingly on watercolours. His landscapes and rural interiors often featured the downland and coast of southern England; haunting and lyrical, these works show a world in suspense and often feature chalk hill figures, as in Train Landscape (c. 1939; Aberdeen, A.G.) and empty rooms.






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