Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands.
d.June 25, 1912, Wiesbaden, Germany.
Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail. Related Paintings of Alma-Tadema, Sir Lawrence :. | Laura Alma-Tadema (mk23) | A Dedication to Bacchus (mk23) | A Favourite Custom (mk23) | A Private Celebration (mk23) | Copy of wall painting from the tomb of Nebamun in the British Museum,London (mk23) |
Related Artists:TIBALDI, Pellegrino
Italian Painter, 1527-1596
Painter and architect. Pellegrino Tibaldi's early paintings show the influence of Bagnacavallo and of other Bolognese followers of Raphael, but his actual teacher is unknown. Vasari's claim that his own works in S Michele in Bosco, Bologna, formed Tibaldi's artistic education is hardly borne out by the latter's first efforts. The Mystic Marriage of St Catherine (c. 1545; Bologna, Pin. N.) is, in its classical, hierarchical simplicity, clearly inspired by Raphael's manner as interpreted by his Bolognese imitators; although it also bears delicate marks of Parmigianino's grace, the power of its expressive dignity and the architectural background hint at Tibaldi's future development. Tibaldi's Adoration of the ShepherdsLICINIO, Bernardino
Italian painter, Venetian school (b. ca. 1489, Poscante, d. ca. 1565, Venezia)Vicente Lopez y Portana
(September 19, 1772, Valencia, Spain CJuly 22, 1850, Madrid, Spain) was a Spanish painter, considered the best portrait painter of his time.
Vicente Lepez y Portaña was born in Valencia on September 19, 1772. His parents were Cristebal Lepez Sanchordi and Manuela Portaña Meer. Vicente Lepez began formally studying painting in Valencia at the age of thirteen, he was a disciple of father Antonio de Villanueva, a Franciscan monk, and he studied at the Academy of San Carlos in his native city. He was seventeen when he won first prize in drawing and coloring receiving a scholarship to study in the prestigious Academia Real de Bellas Artes de San Fernando in Madrid. For the following three years in Madrid, he apprenticed with the Valencian painter, Mariano Salvador Maella. Vicente Lepez returned to Valencia in 1794 and subsequently became vice-director of painting at the Academy where he had studied as a boy. In 1795 he married Maria Piquer, they had two sons: Bernardo Lepez Piquer and Luis (1802-1865), who were also painters, following their father's style but with little accomplishments. In 1801 Lepez was named President of the Academy of San Carlos.