Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Alma-Tadema, Sir Lawrence
A Favourite Custom (mk23)

ID: 23009

Alma-Tadema, Sir Lawrence A Favourite Custom (mk23)
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Alma-Tadema, Sir Lawrence A Favourite Custom (mk23)


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Alma-Tadema, Sir Lawrence

b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.  Related Paintings of Alma-Tadema, Sir Lawrence :. | Anna Alma-Tadema,The Drauwing Room at Toumshend House (mk23) | Xanthe and Phaon (mk23) | Leaving Church in the Fifteenth Century (mk23) | A Favourite Custom (mk23) | William Quiller Orchardson,Master Baby (mk23) |
Related Artists:
James Jacques Joseph Tissot
(15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
Hendrik Cornelisz. Vroom
painted Ausfahrt der Ostindiensegler in c. 1630-1640
Carl Olaf Larsson
1853-1919






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