Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Bartolomeo Altomonte
Rest on the Flight to Egypt

ID: 84039

Bartolomeo Altomonte Rest on the Flight to Egypt
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Bartolomeo Altomonte Rest on the Flight to Egypt


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Bartolomeo Altomonte

Bartolomeo Altomonte, also known as Bartholomäus Hohenberg (24 February 1694 - 11 November 1783), was an Austrian baroque painter who specialized in large scale frescoes. He was the son of Martino Altomonte, also a painter.  Related Paintings of Bartolomeo Altomonte :. | Japonaiserie:Oiran (nn04) | Fruit Still-Life s | Portrait of Maria Tomasa Palafox y Portocarrero, Duchess of Medina-Sidonia and Marchioness of Villafranca | Ship in the Stormy Sea | Christ on the Cross between the Virgin and St.John |
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Benvenuto Tisi
(1481 - September 6, 1559) was a Late-Renaissance-Mannerist Italian painter of the School of Ferrara. Garofalo's career began attached to the court of the Duke d'Este. His early works have been described as "idyllic", but they often conform to the elaborate conceits favored by the artistically refined Ferrarese court. Born in Ferrara, Tisi is claimed to have apprenticed under Panetti and perhaps Costa and was a contemporary, and sometimes collaborator with Dosso Dossi. In 1495 he worked at Cremona under Boccaccino, who initiated him into Venetian colouring. He may have spent three years (1509 - 1512), in Rome. This led to a stylized classical style, more influenced by Giulio Romano. Invited by a Ferrarese gentleman, Geronimo Sagrato, to Rome, he worked briefly under Raphael in the decoration of the Stanza della Segnatura. From Rome family affairs recalled him to Ferrara; there Duke Alfonso I commissioned him to execute paintings, along with the Dossi, in the Delizia di Belriguardo and in other palaces. Thus the style of Tisi partakes of the Lombard, the Roman and the Venetian modes. He painted extensively in Ferrara, both in oil and in fresco, two of his principal works being the "Massacre of the Innocents" (1519), in the church of S. Francesco, and his masterpiece "Betrayal of Christ" (1524). For the former he made clay models for study and a clay figure. He continued constantly at work until in 1550 blindness overtook him, painting on all feast-days in monasteries for the love of God. He had married at the age forty-eight, and died at Ferrara on the 6th (or 16th) of September 1559, leaving two children. Garofalo combined sacred inventions with some very familiar details. A certain archaism of style, with a strong glow of colour, suffices to distinguish from the true method of Raphael even those pictures in which he most closely resembles the great masterthis sometimes very closely; but the work of Garofalo is seldom free from a certain trim pettiness of feeling and manner.
daniel mytens
1629 collection the duke of hamilton
John Mather
Australian painter, etcher and teacher. 1848-1916






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