Alma-Tadema, Sir Lawrence
b.Jan. 8, 1836, Dronrijp, Netherlands.
d.June 25, 1912, Wiesbaden, Germany.
Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail. Related Paintings of Alma-Tadema, Sir Lawrence :. | The Siesta (mk23) | Silver Favourites (mk23) | Interrupted (mk23) | Comparisons (mk24) | When Flowers Return (mk23) |
Related Artists:William Simpson
British Painter (1823-1899)
was a British artist and war correspondent. Born into poverty in Glasgow on 28 October 1823, Simpson went on to become one of the leading 'special artists' of his day, and sketched many scenes of war for the Illustrated London News. His early years were very difficult living in a house with an abusive and alcoholic father, and in 1834 he was sent to live with his grandmother in Perth. Simpson's only formal schooling took place during this period and within a few years, he was working as an apprentice in the Glasgow lithographic firm of Macfarlane. The artist stated later that "this was the turning point which changed all my boyish intentions." It was during the years in Glasgow that he attended the Andersonian University and the Mechanics Institute in the evenings. His next position was with the lithographic company of Allan and Ferguson where he spent four years learning the trade. In 1851 Simpson moved to London where he was hired by Day & Sons. While at Day's he was able to work on several important lithographic sets. He became famous initially for his work in the Crimean War where he was sent by the firm of Colnaghi to create a series of watercolors suitable for lithographing. In the late 1850's he was sent to India to sketch scenes relating to the recent Sepoy Revolt. He joined the ILN in 1866 and covered the Abyssinian Campaign of 1868. In 1870 he went to France to sketch the war with Prussia, and in the following year observed the barricades of the Paris Commune. During a trip around the world, he stopped off in California and traveled to the Lava Beds area to report on the Modoc War in 1873. Five years later, he journeyed to Afghanistan to provide illustrations of the Second Afghan War that had broken out; he returned to London in the summer of 1879. In 1890, he observed the opening of the Forth Bridge and caught a chill which was to have detrimental effects on his health. He died at home in Willesden, north London, on August 17, 1899, and was buried in Highgate Cemetery. Besides his war pictures, he covered state events, coronations, funerals, and other ceremonies. He was particularly interested in India and sketched scenes of the Kashmir Maharajas.Jean-Pierre Norblin de La Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship.
He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
Irish, Active 1676-1716