Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Velasquez 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
59558		Abbot and hermit Paulo	mk267 1633 years linen canvas 261 x 192.5 cm Prado Museum in Madrid
59565		Aesop	mk267 in linen canvas 179.5 x 94 cm Prado Museum in Madrid
59567		Archbishop of Cape Verde	mk267 1640-1645 years linen canvas 63.5 x 59.6 cm National Museum of London
59501		Assumption	mk267 1618 years linen canvas 135 x 101.6 cm London, National Gallery collection
59560		Awes Telia	mk267 1634 years linen canvas 210 x 124 cm Prado Museum in Madrid
59571		Bishop Maximilian	mk267 1650 years linen canvas 76 x 58.5 cm National Museum of London
59544		Carlos Prince Buster	mk267 mk267 1631-1632 years linen canvas 128 x 101.9 cm Art Museum of Boston
59559		Carlos Prince Buster	mk267 1634-1635 years linen canvas 208 x 173 cm Prado Museum in Madrid
59552		Christ on the Cross	mk267 1631 years linen canvas 248 x 169 cm Prado Museum Madrid
59528		Dionysus	mk267 1629 years linen canvas 1655 x 227.5 cm Prado Museum in Madrid
59566		Dwarf Juarez	mk267 1636 -1644 in linen canvas 107 x 83.5 cm Madrid Prado Museum
59575		Female Textile	mk267 linen canvas 220 x 289 cm Prado Museum in Madrid
59562		Hunting De accepts Crown Prince Cady	mk267 1635-1636 cm linen canvas 191 x 107cm Prado Museum in Madrid
59561		In Austria Duke Varser	mk267 1634 years linen canvas 314 x 240 cm Prado Museum in Madrid
59534		Jacob give Joseph a coat of blood	mk267 1630 years linen canvas 213.5 x 284 cm collection of the Spanish monastery
59502		Jesus and Maria Mada at home	mk267 1619-1620 years linen canvas 60 x 103.5 cm London, National Gallery collection
59570		Juan Sebastian	mk267 1644 years linen canvas 106.5 x 82.5 cm Madrid Prado Museum
59564		Money Booth	mk2671939 in linen canvas 178.5 x 93.5 cm Madrid Prado Museum
59500		Omelette woman	mk267 linen canvas 99 x 128 cm National Museum of London
59568		Our Lady of Dai Guanzhong map	mk267 1641-1642 years linen canvas 176 x 124 cm Prado Museum in Madrid
59576		Palace lady	mk267 linen canvas 105 x 88 cm Prado Museum in Madrid
59578		Perrone Prince	mk267 1659 years linen canvas 128.5 x 99.5 cm
59527		Philip IV	mk267 1623 linen canvas 198 x 101.5 cm Prado Museum Madrid
59556		Philip IV	mk267 linen canvas 195 x 110 cm London, National Gallery collection
59572		Pope Innocent X	mk267 1650 years linen canvas 82 x 71.5 cm Wellington Museum London
59577		Princess Margaret	mk267 1659 years linen canvas 129 x107 cm
59573		Princess Marian	mk267 1652 years linen canvas 234 x 132 cm Prado Museum in Madrid
59574		Princess Marian	mk267 1653 years linen canvas 127 x 98.5 cm Dallas Museum
50521		Smelt Factory	mk212 1630 Oil on canvas 222.9x289.9cm
59504		St. John in Bai Temu Si	mk267 1619 years linen canvas 135.5 x 102.2 cm London, National Gallery collection
59498		St. Thomas	mk267 Years 1618-1620 linen canvas 105 x 85 cm Orleans Museum of Art Collection
59555		St. Thomas s confusing	mk267 1631 years linen canvas 244 x 203 cm London, National Gallery collection
59523		The Louise Asia gram raises	mk267 linen canvas 50.3 x 40.5 cm collection of the Boston Museum of Art
59516		The spirit of Christ and supervision	mk267 1628 years linen canvas 165 x 206 cm National Museum of London
50874		The Warter-seller of Seville	mk216 Oil on canvas
52738		The Water-seller of Seville	mk223 Oil on canvas
59499		Those who sell water	mk267 Years 1618-1622 linen canvas 107.7 x 81.3 cm Wellington Museum London
59514		Three Oriental doctor's blessing	mk267 1619 years linen canvas 203 x 125 cm Prado Museum in Madrid
59537		Vulcan s smelter	mk267 1630 years linen canvas 223 x 290 cm Prado Museum in Madrid
59569		Yage Arab League are many	mk267 1644 years linen canvas 106 x 82.5 cm Madrid Prado Museum

Velasquez

1599-1660,Spanish painter. He was apprenticed to Francisco Herrera the Elder before being trained by Francisco Pacheco. His early works were mostly religious or genre scenes. After arriving in Madrid in 1623, he painted a portrait of Philip IV that won him immediate success and an appointment as court painter. His position gave him access to the royal collections, including works by Titian, who exerted the greatest influence on his style. In his portraits from this period, only the faces and hands of the figures are accentuated, and the dark figures stand out against a light background. A visit to Italy (1629 ?C 31) further developed his style, and on his return to Madrid he entered his most productive period. Velazquez created a new type of informal royal portrait for Philip hunting lodge, and his portraits of court dwarfs display the same discerning eye as those of his royal subjects. On a second visit to Rome (1649 ?C 51) he painted a portrait of Pope Innocent X. The powerful head, brilliant combinations of crimson of the curtain, chair, and cope are painted with fluent technique and almost imperceptible brushstrokes that go far beyond the late manner of Titian and announce the last stage in Velazquez development. This portrait was copied innumerable times and won him immediate and lasting renown in Italy. In his last years he created his masterpiece, Las Meninas (The Maids of Honour, 1656). In this casual scene, the artist is shown painting the king and queen in the presence of the infanta Margarita and her attendants; the nearly life size figures are painted in more or less detail according to their relation to the central figure of the infanta and to the source of light, creating a remarkable illusion of reality never surpassed by Velazquez or any other artist of his age. He is universally acknowledged as one of the giants of Western art.

All the Alma Tadema's Oil Paintings

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