Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Giotto 03

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
52374		The Hermit Zosimus Giving a Cloak to Magdalene	1320s Fresco Magdalene Chapel
1775		The Lamentation	c1305
23303		The Lamentation (nn03)	c 1305 Fresco 200 x 185 cm 78 3/4 x 72 7/8 in Cappella dei Scrovegni,Padua
33311		The Lamentation of Christ	mk86 1303-1305 Fresco 185x200cm Padua,Arena Chapel
21151		The Lamentation of Christ (mk08)	1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
1785		The Last Judgment 1	1305-13 Arena Chapel, Padua
1774		The Madonna in Glory	1310 Galleria degli Uffizi, Florence
33299		The Marriage Procession of the Virgin	mk86 1303-1305 Fresco
21139		The Marriage Procession of the Virgin (mk08)	1303-1305 Fresco.Padua,Arena Chapel
55909		The Meeting at the Golden Gate	mk247 1304-06,fresco,79x73 in,200x185cm,capella degli scrovegni(arena chapel),padua,ltaly
33252		The Raising of Drusiana,Cappella Peruzzi	mk83 c.1320
62973		The Seven Vices	1306 Fresco, 120 x 60 cm Cappella Scrovegni (Arena Chapel), Padua Despair {Desperatio) appears as a female suicide - a demon has taken hold other soul. Giotto here uses the painted marble niche in a most impressive fashion in order to display narrative details, such as the way the beam and the rope are fastened. Artist: GIOTTO di Bondone Painting Title: No. 47 The Seven Vices: Desperation , 1301-1350 Painting Style: Italian , , religious
52399		The Stefaneschi Triptych	c. 1330 Tempera on panel, 220 x 245 cm
44320		The Stefaneschi Triptych Martyrdom of St Paul	c. 1330 Tempera on panel
62954		The Stefaneschi Triptych: St Peter Enthroned	1330 Tempera on panel Pinacoteca, Vatican The picture shows the middle panel on the side showing St Peter. Peter sits, surrounded by angels and saints, on a simply constructed throne inlaid with Cosmati work. His right hand is raised in blessing, and in the other he holds the keys of his office. Before him, kneeling on the luxurious marble floor, laid out in perspective, are the hermit-saint Peter of Morrone to his right, and the donor Cardinal Stefaneschi, offering him the altar, to his left. Artist: GIOTTO di Bondone Painting Title: The Stefaneschi Triptych: St Peter Enthroned , 1301-1350 Painting Style: Italian , , religious
44368		The Suitors Praying	1304-06 200 x 185 cm
52379		The Virgin Receiving the Message	1306 Fresco, 150 x 195 cm
42608		The wedding to Guns De arouse-king of Lazarus, De bewening of Christ and Noli me tangera	MK169 details of the fresco decoration ca.1304-13 Scrovegni-chapel Padua
38431		Throning God mother with the child	mk137 1310 Tempera on wood chalkboard 325x204cm Galleria degli Uffizi, Florence
6905		Tondo with Angel sh	c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome
6901		Vault fgt	1303-06 Fresco Cappella Scrovegni (Arena Chapel), Padua
44359		Verification of the Stigmata	270 x 230 cm
44337		View of a chapel	1304-06 150 x 140 cm
6898		View of the Church of San Francesco dfg	established in 1228 Convent of San Francesco, Assisi
52364		View of the Church of San Francesco established in 1228	Convent of San Francesco, Assisi San Francesco at Assisi consists of two superimposed churches
52365		View of the interior	Upper Church, San Francesco,
6902		View of the Peruzzi and Bardi Chapels fh	Santa Croce, Florence
52402		Vision of the Ascension of St Francis	1325 Fresco, 280 x 450 cm
52372		Vision of the Flaming Chariot	1297-99 Fresco, 270 x 230 cm
44349		Vision of the Thrones	270 x 230 cm
44333		Washing of Feet	200 x 185 cm
44369		Wedding Procession	200 x 185 cm
52384		Wrath	1306 Fresco, 120 x 55 cm

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Giotto

Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.

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